The Aerial Muse & Maine's Fallow Fields of History, an essay on the aerial perspective and indigenous agriculture through Yvonne Jacquette's Little River Farm (1979) for Degree Critical
Herbal, a newsprint chapter with narrative descriptions for fifteen plants, each interweaving botany, history, and lore with threads of toxicity, for the artist Marlene McCarty's Into the Weeds exhibition and publication
Home is Here and No Other Place, a review of "Siah Armajani: Follow This Line," the 60-plus-year retrospective of public artist Siah Armajani, at The Met Breuer for Degree Critical
The Place of a Displacement, an etymological investigation of how the place where images are housed affects our belief in them for Politics of Home
Abysmal Grief, Ephemeral Beauty: On the Poems and Photographs of Eileen Myles, a review of "poems" at Bridget Donahue Gallery about the mundane as transformative, for Degree Critical
archeology of aesthetics, my birth (2018), carmen winant, tughra of sultan süleiman the magnificent (1555-60), ekphrastic nonfiction and fiction reflections on works of art in NYC, in Taco Pig, for a School of Visual Arts MFA Art Writing Summer Intensive with art critic Jarrett Earnest
Siah Armajani (Iranian-American, born Tehran, 1939) Dictionary for Building: Back Yard, 1974–1975, plastic maquette furniture, paint, plywood, 3 1/16 x 8 1/8 x 10 1/16 in. Collection MAMCO, Geneva. Courtesy the artist.
